| .The
reflective nature of feelings 27
April 05 You
can experience emotions and then experience feelings about the emotions
you just had. Feelings
about feelings. You might
fall in love, a good feeling but then feel very uncomfortable about
being vulnerable, perhaps a bad feeling of fear.
Good, bad – we judge our feelings. This
judgment is an act of thinking; we impose a thought or series of
thoughts retrospectively on to a feeling or symphony of feelings.
It’s natural to do this but the feelings themselves are often
much more interesting than the thoughts about them.
From the viewpoint of exploring the Mysteries, the feelings, not
the thoughts or judgments about them, are the crucial indicator. The feelings about your feelings are just as important to be
aware of as the original feelings. You
might love being in love. You
might hate being in love. You
might love someone and hate him or her at the same time.
To love being in love might be a symphony of “complex and
known” feelings. To hate being in love might be a symphony of “complex and
unknown” feelings. Love
is likely to be a symphony of all four groups of feelings outlined
on the grid. Some
may not want to unpack the symphony of feelings we label “love” but
feelings are never diminished or lessened by being looked at.
Where this lessening happens, some may feel disappointment at
seeing the symphony change. Their
disappointment comes because they try to hang on to the feelings rather
than let them go and trust in them returning, refreshed and renewed.
But we cannot hold on to our feelings anyway and because we
cannot, no real harm comes from examining all our feelings.
Within the symphony of feelings called love there will almost
certainly be an Edge feeling or bundle of Edge feelings.
These Edge feelings within the symphony of love are the best for
exploring the Mysteries. (The
reason for this I will come back to at some stage in the future). In
summary: it is watching
feelings that take you deeper into the Mysteries, not thinking about
them. The act of watching
is the key that delivers real exploration as opposed to collecting
ideas. As far as the Mysteries are
concerned, no matter how clever the ideas are, they remain
as empty as a house with no one living in it.
No matter how beautiful and large the house is, it remains empty
if no one is home.
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